重庆方言独角戏向雪松的故事,重庆方言电视剧

时间:2017-09-25 09:28 文章来源:云南西南方言网 点击次数:

重庆方言独角戏向雪松的故事,重庆方言电视剧。
重庆方言独角戏《向雪松的故事》

  这不是一个一般意义上的戏曲创造。

  在京郊大山中的一个凉亭上,陈小玲(本剧策划)偶尔遇到了向雪松(叙述者)。其时,她一个人在无声地舞蹈。她及家人的阅历、朴素的重庆方言叙述,特别她心里强大的力量……主创者们决定将这些原汁原味地呈如今今日的舞台上。

  叙述者:向雪松

  1948年,出生于武汉,爸爸是国民党军官,桂系白崇禧手下一员。

  后居于四川省重庆市长命县,家中排行老七。

  12岁高小结业,两年之后在民办中学学习三年。

  之后的五年中,没有正式作业,一向打零工。

  1971年,上任于四川省驳船厂,临时工。1979年转正。

  1982年,上任于重庆市长命县百货公司,职工。

  退休后变成重庆市长命老年大学的文艺主干。

  导演:

  裴魁山,中国优异的青年戏曲导演、编剧。结业于中国人民大学国际关系学院、中心戏曲学院导演系。其导演代表作有《一出梦的戏曲》(斯特林堡 著)、《回家》(哈罗德品特著)和《凶狠伯爵》(安托万阿尔托著)等。其间《一出梦的戏曲》四年内涵全国巡演七轮,而《回家》和《凶狠伯爵》则是由他首度 搬上中国戏曲舞台。其他导演著作包括:《一个演员的自我修养》、《三人行》、《电梯》、《乱民全讲》、《禅先生》、《罪》等。

  著作策划、剧本:

  陈小玲,博士、中心戏曲学院戏文系教授、舞台剧创造教研室、硕士研究生导师。

  国家级精品课程“舞台剧创造”教研组成员。

  首要舞台剧著作:《愿望新千年》、《芳华之歌2005》、《寻觅剧作家》、《终身成就奖》、《红雪花》(歌剧)、《家》(音乐剧)、《丢手绢》(音乐剧)等。

  2008年至今,被国家教委聘为"全国高等学校艺术教学专家”,主动要求到四川汶川、青海、宁夏、西藏、新疆等西部地区讲学。被当地授予“高原精灵”的称谓。

  2013年10月,受“瑞典皇家剧院”“斯德哥尔摩文学节”等组织之邀,其著作在“瑞典皇家剧院”朗诵。本人也变成该院邀请的第一位亚洲女人剧作家。

  Xiang Xuesong’s Story: A Monologue in the Chongqing Dialect

  This is no theater work of the usual variety.In the mountains on the outskirts of Beijing, Chen Xiaoling (the designer of this play) accidentally comes upon Xiang Xuesong (the narrator) who is dancing alone on a pavilion in silence. Her own experiences and those of her family’s, a story told in a rustic Chongqing dialect, and especially her formidable inner power, all these the creators have determined to realize on the modern stage in all their rich authenticity.

  Narrator: Xiang Xuesong

  Xiang Xuesong was born in Wuhan in 1948, the daughter of a general in the Guo Min Tang (KMT) under Bai Chongxi, a leader in the Gui faction.

  The seventh child in the family, she later lived in Chongqing’s Changshou County, at the time part of Sichuan province,

  Graduating from primary school at the age of 12, two years later she studied at a private middle school for three years.

  During the following five years, she had no formal occupation and worked odd jobs.

  In 1971, she was employed at the Sichuan Provincial Barge Plant as a temporary worker and in 1979 became a permanent staff member.

  In 1982, she began working at the Changshou County Department Store in Chongqing.

  After retirement, she became a core member as an art enthusiast in the Elderly University in Changshou County in Chongqing.

  Director:

  An outstanding young theater director and scriptwriter, Pei Kuishan graduated from International Relations College of Renmin University, and the Department of Direction at the Central Academy of Drama. His representative works include A Dream Play(August Strindberg), The Homecoming (Harold Pinter) and The Cenci (Antonin Artuaud). Among these, A Dream Play has toured seven times in China in four years, and Pei was the first to introduce The Homecoming and The Cenci to the Chinese theatrical stage. Other works he has directed include Being a Superstar, Are Three Possible, The Elevator, Mumble Jumble, Mr.Chan, and Crime,

  Production Planner, Scriptwriter:

  Chen Xiaoling is professor of Opera Script Department of Central Academy of Drama, in the teaching and research section for playwriting, and supervisor for Master’s degree students. Chen is also a Teaching and Author Member of the National excellent curriculum “Theater Play Creation”.

  Her main theatrical plays include Dreaming for New millennium, Song of Youth 2005, Looking for Playwright, Lifetime Achievement Award, Red Snow Flower (opera), Home(opera), and Throwing Handkerchief(Musical),.

  Appointed “National Higher Education Art Teaching Specialist” by the State Education Association, since 2008 she has been actively involved with teaching in underdeveloped regions such as Wenchuan, Sichuan, Qinghai, Ningxia, Tibet and Xinjiang, where she was bestowed the title “Sage of the Highland”.

  In October, 2013, invited she was invited to the Stockholm Literature Festival, and her works were received and read in the Swedish Royal Opera House on other occasions as well, making her the first Asian female playwright to be invited by this organization.

    热门排行